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Thursday, October 30 :: Click Link for assignment >
PLEASE KEEP CELL PHONES AWAY!
PLEASE KEEP CELL PHONES AWAY!
Expectations:
Expectations:
C: Voice Level 2 (only the people next to you can hear you and no shouting across the room)
H: Ask your team, elbow partner or raise hand
A: Work on the assignment
M: Stay in your assigned seat
P: Work till assignment is completed
S: Finishing your work
HEADPHONES!
Yes! These are brand new!
DON'T pick at the ear cushion!
Please take care of them!
DON'T unplug them!
If they are missing or something is wrong...
TELL ME IMMEDIATELY!
Place headphone on Monitor BEFORE you leave!
YOU WILL NEED A NOTEBOOK/PENCIL!
Get to know your camera!
Get to know your camera!
What makes a DSLR?
What makes a DSLR?
Canon EOS R50
WHAT ARE WE LEARNING: About Digital Cameras
WHY IS IT IMPORTANT: Cameras are an intricate piece of expensive equipment. If you can get to know your camera so well that you don't have to consciously think every time you want to change a setting, you will have more energy to focus on your subject and the creative aspects of picture making.
HOW WILL MY TEACHER KNOW WHAT I LEARNED: You will take notes on the parts and functionality of our cameras and soon will be quizzed!
Pixel(Pic-El) = Picture + element
Pixels are the smallest picture elements to display images, you can think of them as bunch of small tiny little squares!
Pixels work like a Photo Mosaic...
Photo Mosaic
A mosaic picture is a large image composed of many smaller images or tiles, arranged to create the overall picture when viewed from a distance. When viewed up close, the individual tiles become visible, revealing their own images or patterns. Essentially, it's a visual representation where many smaller pictures come together to form a larger, composite image.
From far away the image is pretty normal...close up we begin to see what makes the image so unique!
This is, in a round about way, how pixels work!
Today, we can say that most cameras now include:
Camera BODY
(Light-tight box)
(A Glass) Lens
Digital Sensor
(the surface that captures light)
LIGHT TIGHT BOX/BODY
LIGHT TIGHT BOX/BODY
The body of the camera. It is an enclosure that is devoid of light.
Aside from the body...
Aside from the body...
A Digital SLR (DSLR) camera consists of four major components.
A Digital SLR (DSLR) camera consists of four major components.
LENS
LENS
Gathers and focuses light
Gathers and focuses light
VIEWFINDER
VIEWFINDER
The photographer can see the light once it enters the camera body and is reflected by a mirror.
The photographer can see the light once it enters the camera body and is reflected by a mirror.
IMAGE SENSOR
IMAGE SENSOR
Light reaches the image sensor, where it is converted into digital information.
Light reaches the image sensor, where it is converted into digital information.
IMAGE PROCESSOR
IMAGE PROCESSOR
The digital information is converted into image data by the image processor.
The digital information is converted into image data by the image processor.
THE VIEWING SYSTEM
THE VIEWING SYSTEM
System which allows you to see what the camera will record.
Apart from size, the ELECTRONIC VIEWFINDER is the most obvious difference from DSLR to Mirrorless.
Apart from size, the ELECTRONIC VIEWFINDER is the most obvious difference from DSLR to Mirrorless.
Mirrorless cameras vs. DSLRs: What’s the difference?
As the name suggests, mirrorless cameras capture images without the use of a mirror in the camera body. This is different from DSLR cameras, which reflect images into viewfinders via mirrors. Instead, mirrorless cameras often use electronic viewfinders (EVF) to display images digitally.
Because they have no bulky mirror box in the body, mirrorless models are more compact cameras than their DSLR counterparts. And because the lens sits closer to the sensor without a mirror in the middle, image quality is potentially superior.
SHUTTER
SHUTTER
Mechanism which opens and closes for a given period of time
SHUTTER SPEED
SHUTTER SPEED
Amount of time shutter stays open
How do we understand Shutter Speeds?
All of the numbers are actually fractions of a second. So 250 is actually 1/250 of a second etc.
Remember when you move to the LEFT of the scale, you get MORE light.
When you move to the right of the scale, you get LESS light!
1/2 of anything is greater than 1/4000 of anything right???
Let’s look at this video on shutter speeds….
Let’s look at this video on shutter speeds….
Shutter Speed Explained DIY in 5 Ep 31_1080p_CROP.mp41:54
APERTURE
APERTURE
Lens opening which controls exposure and depth of field
f22 (small Aperture opening) = Deep/Great DOF
vs f1.4 (large Aperture Opening = Shallow/Less DOF
REMEMBER!
REMEMBER!
The LARGER the opening of the lens (small F Stop number) the LESS/SHALLOW the Depth of Field.
Only the dog is sharp when using F 1.4 and the background appears blurred/out of focus.
The smallest opening (large F stop number) the GREATER the Depth of Field. The dog and the background are sharp when using F 22.
F STOP
F STOP
is synonymous with Aperture!
STOP
STOP
One Unit of Light
A stop is a measure of exposure relating to the doubling or halving of the amount of light. Image by Hamed Saber.
STOP!
Understanding what a stop is is key to understanding correct exposure. In photography, a stop refers to the doubling or halving of the amount of light that makes up an exposure. Each photo that we take requires a certain quantity of light to expose it correctly.
ADDING a stop of light by doubling the exposure will brighten an underexposed image.
DECREASING an exposure by one stop (halving the amount of light) will darken an overexposed image.
So how do you add or take away a stop of light? To do this, we need to change the aperture, shutter speed, and/or ISO. (we will get to that!)
Common shutter speed stops.
STOPS & SHUTTER SPEED!
Shutter speed measures how long your camera's shutter is left open during a shot. The longer it's open, the more light it lets in, and the greater your total exposure will be.
Doubling or halving your shutter speed produces an increase or decrease of 1 stop of exposure.
For example, changing from 1/100 of a second to 1/200 lets in half as much light, so we can say we've decreased the exposure by 1 stop. Similarly, going from 1/60 to 1/30 lets in twice as much light, giving a 1 stop increase in exposure.
Check out this video on aperture….
Check out this video on aperture….
Aperture Explained in 2 Minutes_1080pHFR.mp42:20
SHORTCUT TO LOG OFF COMPUTER!
SHORTCUT TO LOG OFF COMPUTER!
Remember to SAVE (ctrl + S) any file before doing this shortcut!
Remember to SAVE (ctrl + S) any file before doing this shortcut!
Ctrl+Alt+Delete then select SIGN OFF!
Please place HEADPHONES on your Monitors!
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